Showing posts with label lesbian. Show all posts
Showing posts with label lesbian. Show all posts

Monday, 1 July 2013

Introducing... Layce Gardner

I'm not big on the lesbian romance genre. (I can't believe I can say that with a straight face, considering I am currently dabbling in that genre, but anyway.)

I guess it's because my early forays into it were a little sub-par. The characters were all a little too beat up, and some of the plot points bordered too far on the unbelievable side of the fence for me.

I get it. We've all been through our Coming Out period, our Lusting After our Straight Best Friend period and our U-Haul Lesbian period (in Australia we call it the Budget Lesbian period) among others. Most of us want to read about that stuff to make us feel better about bad decisions, bad romances, and to escape from our bad, sad lives.

Here's the thing. I'm more than the sum of my bad and sad parts. I have lots of happy times. "Why doesn't anyone write about the happy times?" I lamented. "Why doesn't anyone write something fun?"

Then I found Layce Gardner. I am proud to be able to call her my Facebook Friend. (Which means that she stupidly accepted my friend request even though she didn't know me from a bar of soap, and now I can stalk her interact with her whenever I want.)

I can't remember exactly how I discovered her novel Tats, but I devoured it in two sittings. I would have devoured it in one, but a pesky little thing called my day job came between us.

I passed my paperback copy on to a great friend of mine, along with rave reviews. (Lisa, I still want it back!)
 
I loved the book so much, in fact, that as soon as the next book Tats Too came out, I downloaded it onto my kindle as soon as it was available. This time, I got to read it while I was on holiday in Fiji - I wasn't going to let a little thing like a friend's wedding get in the way of me and that book.

I read parts of it out to my wife, giggling like an idiot, while my wife just looked at me knowing full well I AM an idiot. "I guess you have to read what happened before" was my answer to her blank looks. 

Anyway, to the point. 

I downloaded and read Penny Nickels and Wild at Heart as soon as they came out too, and was itching for more.

That was a few months ago now, and I had decided that I wasn't going to go out of my way to buy any new books until I had finished some of my own. 

Then, I saw this pop up on my facebook feed:


I was so excited that the new book was available, but you know, my no-book-buying thing.

I held off for exactly three days. 

I bought it, promising that I would only read the first chapter after I had at least completed my word-count quota for the day. 

I only lasted a couple of hours before I thought "I'll just read the first paragraph and see if it grabs me." 


A couple of hours of reading and laughing out loud later, I realised that it was past midnight, and that I had wanted to get to bed early, so I could get up early and get in some pre-caffeinated writing time. (For non-writers, that's the best time to trick my muse into giving up some of her secrets - before she wakes up and goes MIA).

I don't really have the whole "do something good, reward yourself" thing down very well.

So the truth of it is, I don't think I can hold out on reading the rest of the book. I think I might just take an early weekend and go ahead and get it over and done with.


If you're curious, my favourite part of the book so far is when the girls (Dana and Trudy) are sharing an unlit cigarette. They both take pretend puffs and then Trudy takes the cigarette back and "ashes" on the floor.

No wait. It's when Dana meets Ellen. "She had brown-almost-black eyes like melted chocolate and a smile that reminded Dana of strawberry cheesecake. Her smile itself didn't exactly remind Dana of cheesecake; it's that the smile gave her the same feeling as looking at a slice of strawberry cheesecake."

No, it's the conversation about Dana's need to fill a hole in a conversation. "See, when there's a hole in the conversation I feel this urge to stick something in the hole. In fact, there's very few people in this world I'm comfortable being around and not sticking something in their hole."

Layce, you had me at "'My girlfriend is a slut,' Dana Dooley said." It's going to be another late night.

You can find Layce's books on Amazon here
Check out her blog here

Friday, 17 May 2013

What non-writers need to know about writers

This post is going out to all my non-writer friends and family, and is a (mostly) tongue-in-cheek list of things you should know about writers. There is a grain of truth to all of them, and of course, this list is incomplete, only because it's based on my experiences as a writer, and not writers in general.


1. Any conversation you have with us, or event that you share with us, may be used in a story at any time in the future. Of course, names will be changed to protect the guilty, and it will be embellished to within an inch of its life.

2. We may have based a character on you, but it't not the one you think. And no, we won't tell you which one it is.

3. When you ask us how our book is going, and we reply with "which one?" we are only half joking. We flit between WIPs like an ADD kid on a sugar high.

4. Our writing time is precious. It comes in a close second to procrastinating on the internet researching.

5. Theoretically, it takes next to no time to write a book, based on words per hour. It's finding the right words that take up all of our time.

6. The three essential food groups for a writer are caffeine, alcohol and sugar. Sometimes all at once.

7. We will meticulously set up our study/writing space, only to end up writing on the laptop on the lounge, or spread our paperwork out on the dining table. Creativity cannot be restrained.

8. The only time we're happy to do the housework is when we're on a deadline with a book.

9. We will take notes anywhere and everywhere - on napkins, receipts, popcorn containers and on our hands when necessary. It is quite normal for us to wake at 3am, write a few lines, and go back to sleep like nothing ever happened.

10. We are always writing, even when we're taking part in an activity that looks like it has nothing to do with our work. Staring in to space is plotting, and watching TV or a movie is research.

And a bonus:

11. We love social media. Writing is most often a solitary pursuit, so we use facebook, twitter and whatever new sites and apps are available to keep in touch with the "real world". Having said that, if you see us pop up too often, ask us sternly "Why aren't you writing?"



Have I missed anything? Feel free to add to my list in the comments.

Monday, 4 February 2013

Lesbian does not always equal sex

(Admit it. All you saw in the heading was "lesbian sex").

Now that I've got your attention, I wanted to chat about a couple of things that have been annoying me no end the last few weeks. I've been doing some research on an idea I have for some steampunky type characters and plots, and having some real fun checking out some of the steampunk websites around the place. (Check these cool gadgets out)

The first one I seem to be encountering whenever I search for lesbian steampunk. There doesn't appear to be too much around, which is great for me in a way, because I can tap into a fresh market. But I've stumbled across a few forums where other people have been asking for recommendations for some lesian steampunk, and the answers have almost always been to the tune of "I don't have anything to recommend for lesbian steampunk, but here's some cool erotica that you might like instead."

Now, I'm not big on the erotica genre anyway, but why is it always assumed that if you're looking for any type of fiction with lesbian characters (or gay for that matter), that you're automatically after erotica?

Here's a tip: I'm JUST after lesbian characters. I'm squeamish about badly written sex scenes, be they same-same or otherwise. Hell, I'm squeamish about sex scenes, badly written or not. I like to use my own imagination for those types of scenes, and much prefer the "fade out" effect. I'd rather not have a blow-by-blow of who puts what, where.

What I'm really looking for is this: steampunk stories, that don't have sex as the end goal, with lesbian characters. Simple? Apparently not.

The second thing I'm frustrated with is the amount of gratuitous sex in a lot of the lesbian books I'm reading. (I have a whole other post whinging about other stuff I don't like about lesbian fiction, but I'm sticking with the sex for this one).

I was reading a sample of one a couple of weeks ago (a sample, which is only the first 10%), and the lead character stops what she's doing to jump in the sack with some hussy she just met, within the first five pages. THE FIRST FIVE PAGES!! Give me a break. That is not characterisation. That is gratuitous sex. Not even James Bond jumps into bed with the women plotting his downfall in the first five pages (or the first five minutes in the case of the movies).

I get it. We have this image to protect where BBLs (Big Butch Lesbians) can bed anyone they want without consequence, and that makes them super cool. Women, straight and gay, fall at their feet and worship the ground they walk on.

I don't want to read about those characters.

Here's what I want.

I want characters who go through shit that doesn't happen just because they're lesbian. I want characters whose major trait is something OTHER than the fact that they're lesbian.

So the question is, how do I find those characters?

The answer: in my own head. My answer to my frustrations is to write what I want to read, since no-one else seems to be doing it.

Saturday, 25 August 2012

Coping with change and my Big News

This change I can deal with.
Image courtesy of Rebecca Barray WANA Commons


I'm no longer big on change. I say "no longer" because I used to be all for it.

Years ago, when a club I was involved with debated whether to cut ties with our existing sports club or go in a new direction with a new sports club, I voted for change. I was all for a new start and a chance to build something new and exciting from the ground up. In hindsight, we should have looked better before we leapt, but that's a whole other story.

Back to my point.

I now like being comfortable. I like the familiar. It's easy. It's known. It's not scary. It's safe.

When something happens to change that?

I worry. I panic. I get agitated and angry. I've also been known to swear. Or, in the case of TV shows, stop watching altogether. ("They've changed time slots again?? I'm just not going to watch any more. That will show them!" Sidenote - I really do miss Bones and Greys. Sigh.)

Sometimes, change can be sudden and unexpected.

Like last night, when we went to do our grocery shopping, we realised the shop was changing its layout. I could tell something was up as soon as I could see the toilet paper at the top end of the last aisle - it's usually at the bottom end. (Ha ha! I didn't know I'd made that joke until I was retyping this post.)

I was immediately on my guard. Lo and behold, the softdrinks were no longer with the chips, but with the condiments and sauces (WTF?) Thankfully, they'd left the chocolate in the same aisle as it had always been. I guess someone in management was smart enough not to change that aisle around.

After some bitching and whinging, my wife slapped me and told me to get a grip. No, not really, but I did get over it. The aisles that were finished didn't look so cluttered and apart from having to search for a few things, the shopping trip was still relatively painless.

Some change though, is a slow burn of acceptance.

Which brings me (finally) to my Big News.

Short version: Wifey has a new job based in another town and we're moving. (Saying that fast is like ripping off a bandaid and makes it seem easier than it is.)

Long Version: "The Plan" has always been for me to give up work and focus on my writing "at some time in the future."

That future is fast approaching.

It's exciting and scary and OMGWTF! all at once.

We've been planning this move since this time last year when Wifey landed the job temporarily. We discussed the possibility that it could become permanent which would mean a move to a small town further west.

At first I was like "no way", but after many long nights of drinking discussion I realised what a great opportunity it is for us both career-wise.

Wifey gets the opportunity to take a higher position doing something she loves, and I finally get the opportunity to stop working for someone else and start really working on getting myself published.

What did we do to celebrate the fact that we'd be dropping to one wage? We went out and bought an investment property. Yay! (Face palm.)

Leaving aside that financial decision (it will be better for us long term, I promise Wifey!), the road to acceptance has been a long one.

The thing is, I never actually thought I'd be able to take time off of my real job to concentrate on my writing. It was always on my wish-list but never, until now, attainable.

So when the opportunity arose, I railed against it. (You did what?) I actually started talking myself out of my dream of becoming a published author, able to live off the money I make from my writing.

Stupid really, but I was scared. Scared of failing, scared of writing crap, scared of letting down everyone who supports me (even though I know they think I'm crazy). Scared of letting go of a great job with great people that brings in safe money so that we can live a luxurious comfortable life filled with holidays and shopping and paying off our mortgage.

As with all change, there's a transition period. Right now we're in the "Holy shit we need to finish renovating the house so someone will pay us enough money to pay out the mortgage and let us get a new car" phase.

After that will come the "I can't believe no-one will buy our house for a gazillion dollars, it's so worth it" phase, immediately followed by "We'll never have another first house, ever!" phase.

Then there's the "I NEVER want to move again" phase as we unpack and set up a new house in a new town where we know only the people Wifey works for.

But after ALL of that, will be the (hopefully) very long phase of "S R Silcox, full-time author."

I'll be sure to let you know how that goes.


Tuesday, 24 July 2012

What I have in common with Beccy Cole

(Apart from stunning good looks and singing ability).

2012 seems to be the "year of coming out" for some reason. I'm not exactly sure why that's so, but I'm happy to run with it.

So far, we've seen the likes of Magda Szubanski, Queen Latifah,  and Anderson Cooper come out, and last night I watched as Beccy Cole came out on the ABCs Australian Story.

It was a wonderful program to watch - raw and honest and funny. I suspect much like Beccy herself.

One of the most common questions I see asked in comments threads about any news story that has anything to do with being gay or lesbian is why is there a need to come out at all. It's often followed by a loaded statement, such as "I don't feel the need to declare myself a male heterosexual".

Well, of course you don't. Everybody already just assumes you're straight.

Coming out is not what I really wanted to talk about in this post though.

Most of us have a kind of "aha" moment - the moment of realisation that we can put a name to our feelings. Some of us, like me, have a series of "aha" moments, which build into the Big Moment of Acceptance.

One of those moments came as a result of the BBC show "Playing the Field". It was while watching that show that Beccy says her "aha" moment came.

It was because of that show that I had one of my moments that lead to me accepting myself for who I am.

When that show was airing here in Australia, I was playing for a soccer team called The Blues - same as the show - and so my team mates and I would dissect each episode at training and before and after games. It was funny to watch a show about a team with the same name as us, and pretty cool too. We tried to match up characters with our team mates, with often hilarious results.

It was during one such discussion while watching a match with some parents of my younger team mates that I came close to outing myself. Close, but not quite.

One parent mentioned their frustration that the show was perpetuating a stereotype that dykes played soccer. I listened for awhile, and then said "I can guarantee you that every women's team in our competition has at least one lesbian on the team."

Stopped the conversation dead did that comment.

One of the mums then asked "Every team?" I just looked at her and smiled, and said "Every team."

It's funny looking back now, because I wonder if they actually worked out that I was talking about myself. When I think about my team at the time, process of elimination should have probably brought them back to me.

Nothing changed though with the way I was treated if they did put two-and-two together, and when I did eventually "come out" when I found myself a wonderful partner (who for some reason is still sticking by me), my team mates and their parents and partners were wonderfully accepting.

But helping me on my gay self-discovery wasn't the only thing that show did for me. It actually gave me the inspiration I needed to start writing again. I have two half-finished YA manuscripts to prove it. Both sound ideas, but terribly flawed in their current condition. Both ideas that I will hopefully pursue in the future.

So to those who want to know why we feel the need to come out, I guess it comes down to power. 

The problem lies with those "others" who would choose to define us by our sexuality. We "come out" to claim it for ourselves, before someone else does it for us. We do it to show we're proud of who we are, despite this "thing" that we're told is a flaw in our make up.

Being anything other than straight can still be confronting for some people - and for those of us in that minority, we take a huge risk in coming out, so it's not for the faint hearted. It takes courage and confidence.

We risk losing family, friends and jobs. And for someone like Beccy Cole, she risks losing fans, and she also risks a public (and sometimes private) backlash.

But to Beccy Cole, and anyone else coming out, wanting to come out, or wondering if they should, I have this advice:

We are who we are. Those who judge you on one aspect of your self are not worth having in your life.

And from my perspective as a writer, the people who stop reading this blog because they find out I'm gay are not the people I want as fans.

Being gay is not a huge thing in my life, unless others choose to judge me on it. But then, that's their problem, not mine.

Oh, and just one last thing Beccy - I think you'll discover a whole new group of fans after your "coming out". We're a pretty accepting bunch, and we love to celebrate and support our own.


Sunday, 1 July 2012

Sunday Sesh and How reality smacked me in the face

The Beer

This week's sesh is brought to you by Young's Double Chocolate Stout, a brew from the UK.

Truth be known, I've been eyeing this one off for a while now, and I figured you can't really go wrong with beer and chocolate.

Double Chocolate Stout

What I didn't figure on was this being a burp-factory. This is another with light and tingley carbonation, but it's so black you can't see any bubbles in the glass. I can attest to them being there though.

Taste-wise, it's not as impressive as the name would imply. There's a slight taste of chocolate on the first sip, but apart from that, it's a poor cousin to something like the James Squire porter.

The burnt toffee aftertaste lingers initially, but gradually disappears the more you drink - and being a 500ml bottle, there are two whole drinks in this one.

Having said all that, I did finish it, even though it wasn't one of the best I've had. Probably wouldn't get this one again.

The Post

I had a really cool rant about politics loaded up and ready to go but I came across something while I was traversing the interwebs that I had to share.

Something that made me start thinking about my mortality.

Something that made me realise just how far in the past my childhood is.

Ralph Macchio is fifty. Fifty! I know, right? I can't believe it myself. I thought he was still sixteen, which would make me around, um,one. (Though in reality, he was twenty-three when he played Daniel-san, so I was actually eight when the first movie came out.) 

The Original Karate Kid
I know, I know. I'm not eight anymore, but that still doesn't make the fact that The Original Karate Kid is over the hill any easier to take.

I know what you're thinking too, and yeh, he was a hotty (I can still appreciate a good-looking lad), but I didn't want to date Daniel-san - I wanted to be Daniel-san.

True story (I have lots of them). When I was a kid, I used to stay at my cousins' house on school holidays. We used to play Barbies and stuff (I was always Ken - the one with the plastic hair), and we used to have a disco at night where we put cassette tapes in the cassette player (usually home-made ones from taping off the radio or Rage), and we'd turn off the lights in the bedroom except for the bed lamps and the glow worms, and we'd party down.

Usually, we'd have a theme, but no matter what the theme was, I would wear a red robe, tie a hanky around my head, and BE The Karate Kid.

"King Fu Fighting" was my song, and when that song came on, I got to cut loose. ("Wax on, wax off").

I was also told when I was a kid that I kinda looked like Ralph. (Un)fortunately, I can't actually find any photos of me when I was eight, but I did have a haircut similar to the photo above, and I could do that intense look quite well. Especially when I was fielding at silly mid-off for my school cricket team.

So anyway, after this discovery, I need more beer to forget the fact that I'm no longer a kid.


Friday, 15 June 2012

What's my value?

(Apologies for the length of this post. I really wanted to be brief but once I get started, I just can't seem to stop.)

In Queensland, we currently have Civil Partnership Laws enabling couples (hetero and same-sex) to register their relationships. It's a step down from marriage, and isn't recognised in all states or federally, but it's a start.

The new LNP government has decided to leave the registration part of the law as it stands, which is a sigh of relief for those of us (609 couples at last count) who registered.

The LNP have decided, however, that the bit that upsets the Christians (the Premier's words) is the state-sanctioned ceremony, currently only able to be performed at specific courthouses around the state. They've decided to scrap those ceremonies, but still allow the filling out of forms and the paying of money for the priviledge of having our relationships recognised.

On the surface, nothing changes. We still could have ceremonies, and then fill out the paperwork later, or do the reverse - fill out the paperwork and have a celebratory ceremony after the fact.

We still get the extra legal protections, regardless of whether we have the ceremony or not.

All good, on the surface. Seems like a nice compromise.

I have two problems with the reasoning put forward for the change.

The first is the offence caused by this legislation to various churches and religions. I understand the thought of gay marriage, or indeed gay partnerships, are offensive to some people of faith. But not all religions or churches feel that way.

Using this reasoning sets a precedent for other faiths to lobby the government to demand changes to things that cause them offence. That's their right of course, but should offence be a reason to change laws that in reality only affect those who would choose to use them?

The second is that the government has given a clear indication on where it stands on recognising same-sex couples, and indeed LGBTI people individually, whether it meant to or not.

They can say nice words about how much "we're" respected, but it's their actions that really count. And like it or not, the way they treat people, or seem to treat people, sets an example for the rest of us.

By not allowing a simple ceremony (when the whole point of Civil Partnerships is for state-based rather than church-based recognition) sends the message that our relationships aren't valued by the people we have charged with governing over all of us.

In light of the changes, I sent emails to each of the LNP members (which, incidentally, bounced back, but I don't want to scream "conspiracy" just yet), telling them my thoughts.

It took me a long time to put into words why I thought changing the laws would be a step backwards, but when I'd finished and read it over, one sentence stood out above all others. 

"The new law sent a clear message to those of us who struggle with our sexuality, as most of us do at some stage in our lives, that we are valued."

I have railed against the arguments against gay marriage, from religious reasons to blatant disriminatory reasons, but it wasn't until now that I was able to actually put how I feel into one word - VALUE.

It comes down to how much we value our fellow human beings.

For those of you who are against gay marriage, for whatever reason, or are non-committal, and don't think it affects you in any way, and for those of you who have gay friends or family members and are still against gay marriage, I ask you to consider this:

Think about your sons and daughters, parents, brothers, sisters, nieces, nephews and friends.

Are you happy to see them hurt? Would you be happy to hear them called "pedophile", "not fit for parenting", "mentally unstable", and "diseased"?

Would you stand by while someone says they should all be shot?

How would you feel reading comments to articles on gay marriage and civil unions that say things like "the worst thing the government in Queensland did was make being gay legal. they should be put in jail for their perversions." (A real comment believe it or not).

How would you feel to get a phone call or visit from a police officer, informing you that your loved one is in hospital, or worse, simply because someone else took offence to their sexuality? Or because your loved one committed suicide because they couldn't deal with the stress of being gay or lesbian? Because they were bullied for being different. Because they were told they were inferior.

You may think I am being extreme. "These things don't happen all the time," you say. I'm sorry to tell you that they do.

Why? Because those who say and do those terrible things don't value others. They feel they have a right to punish those of us who are a little different.

How will allowing gay marriage change that?

It shows that at the very highest level, we are valued. It takes away an excuse for marginalising and discriminating.

It shows us that we are valued as human beings, and as citizens of our great country. It makes a statement that we are no different from our heterosexual friends and family, and it acknowledges that we too, can fall in love and make the decision to make a formal commitment to the person we love.

A civil partnership is not marriage. It's the furthest a State may go with regards to legal recognition of relationships, but it's a start.

So I ask you:

How much do you value your friends and family?


How much do you value me?








Thursday, 26 April 2012

How my Dad taught me about persistence.

Today is the 1 year anniversary of my blog. I started it with a post about my Nanna, and how she inspired me to get off my butt and work hard on my writing. Today, I’m writing a post on someone else who has inspired me, though I don’t think he knows how much.

My dad (and me) at my christening in 1976


I’m a child of the 80’s, so I remember back when video games were literally black and white (in the case of Pong), or green and lighter green (in the case of type-your-instructions RPGs), depending on your game. Game consoles didn’t come with memory cards, so when you turned your game back on, you had to start from the very beginning, every single time.

Like a lot of kids back then, my first game console was a Mattel Intellivision. We got it for Christmas when I was 6 or 7 and I have one very distinct memory from that time.

The day my father set it up was the day he gave me a lesson in persistence.

I didn’t know it then though. I thought it was a lesson in “adults will always play kids games first” and “little kids just have to wait until the big kids finish” or maybe “men just never grow up”.

Anyway, with that first ever game console, Santa brought us 2 games - Tron Deadly Discs and Checkers Draughts.

That first day, while all of us kids were out playing with our other shiny new toys, my dad set up the Intellivision and stuck the Checkers cartridge in to have play. Nothing unusual about that with my dad really, since he usually got to have first play with our toys so he knew how things worked.

Well, my dad played that thing for hours against the computer. I don’t know how many times I went back inside to see if I could have a turn only to see the screen unchanged and dad working out his next move.

You have to remember, this was before the internet and walk-throughs, so when the computer beat you, you had to work out why yourself and then counteract it the next time you played.

I think it may have been dark outside by the time my father triumphed over the computer, and I don’t know how many times he lost against it to get that one win. I just remember how stubborn and determined he was to not let a stupid machine beat him in a simple game like checkers.

Here’s why I think that lesson is important now.

Today, we have so many options to take the easy way out. We have books and websites and apps that tell us how to do things, the way we should live and how to beat games. Lots of people watch the movie but never read the book.

We have instant gratification. We want things, and very often, we get them now. Our attention spans seem to be on the decline. If it’s not interesting right from the start, we discard it. If we buy something second-hand, we only want it after someone else has spent the time restoring it.

I think the challenge is to remember that the things we tend to appreciate the most come to us from hard work and persistence.

Kind of like my writing.

I’ve been at this gig for nearly 13 years now. A lot of people tell me I’m crazy. Sometimes I think I just might be. How can I keep doing something that hasn’t paid me a cent? How can I keep wanting a career in an industry that is so hard to get into, and then stay in?

Because it’s who I am.

I love writing, even during the times I say I hate it. Why? Because occasionally, I read something back and I can see how good I am. I can see how good I am getting after 13 years, and I can see how much better I can become.

Just like my dad, I’m determined to work on what I’m doing wrong so that I can be better. Instead of competing with a computer, I’m competing with myself, and sometimes others, trying to tell me I’ll never be good enough.

Just like my dad, I’m not going to give up because it gets too hard.

Unlike my dad though, and lucky for me, computers now have memory. Everything I ever write can be saved and re-read. So unlike my dad, learning from my mistakes is a little less frustrating.

Saturday, 14 April 2012

Gagged by a Chupa Chup - Why I'm Re-branding my Blog



Want to keep me quiet? Get me some of these.
When I was coaching a women's soccer team (eons ago), one of the players (who is still a good friend of mine) gave me a Chupa Chup before the game. I was touched, until she said "It's to give you something to suck on so you shut up while we're playing."

It worked. Anyone who knows me well knows I can get very long-winded, especially when I get onto a topic I love.

I'm passionate about a lot of things, and I probably have an opinion on most things, which makes me a very interesting party guest. Especially if I've had a few beers. But I digress.

Personal Me is currently in discussions with Writer Me about this blogging deal. Truth is, I'm over it, and it's not hard to figure out why. I'm trying to get down to the bottom of who I am in order to distil the "Essence of Me", which is supposed to then allow me to decide what I want to blog about.

In order to build a platform for my writing (as opposed to me), I need to work out my niche (which I've found), and work out who my potential readers are (which I'm working on). I need to post things that would be of interest to them, and not get overly personal, because they want to connect with what I say, rather than me personally.

And they want to know I can write.

Makes perfect sense.

The problem? The stuff that I'm passionate about at this point in time doesn't really over lap with my writing. Which means I feel like I'm splitting myself in two here. Since that's pretty bloody uncomfortable, my two halves are trying to come to a compromise.

Personal Me wants to talk (ok, rant and rave) about gay marriage, politics, sport, beer, you know, all that fun and controversial stuff. A lot of the stuff might not be of interest to my potential readers, but it's interesting to me. And I love writing about that stuff too.

Writer Me wants to talk about books and writing and other fun lesbian stuff. All the stuff that might appeal to my potential readers.

Both Me's love the blogging platform. A big part of why I love writing is that I seem to be able to express myself better in the written word, which then makes me able to express it better to people when I talk about things.

I don't want to come across as some sort of activist or raving looney to potential readers though, because my writing is different to that.

I've tried just posting comments on websites, news sites and other blogs, but the long-winded part of me wants to go on and on and on, until someone shoves a Chupa Chup into my mouth to shut me up.

I feel hamstrung by the restrictions I need to place on myself in order to build my writer platform, and it hurts. I've banned myself from the internet a couple of times until I can come up with a post related to my platform, rather than a rant about something totally unrelated to what I write.

I don't want to hate this platform, because I need it to make Writer Me's work viable. But I don't want to restrict what I talk about because Personal Me takes great pride in being interested in all sorts of stuff.

So here's what I'm going to do. I'm going to re-brand this blog. It's where I'll blog whenever I have something to say and there'll be no restrictions on content. This is where you get the raw, unadulterated me. There may be times when there'll be a crossover because I'll want to talk about a book or movie that will also be of interest to Writer Me.

But mostly, this will be me, straight-up. Well, not straight, but you know what I mean.

Sometimes what I write will interest you, sometimes it won't.

But here's the key. What links everything together is my voice - the way I write stuff. I write like I talk - for the most part - so what you see here is basically what you'd hear if I were talking directly to you. My voice is the rope that keeps Personal Me and Writer Me tethered at the hips.

So, I get to write about whatever the hell I want, with the proviso that I write it in my voice and stop trying to cram myself into a writer box that doesn't go with the colour of my eyes.

I get to kill two birds with one stone - I get to keep Personal Me and Writer Me happy, and hopefully they start to play nice again and let me get the hell on with my writing.

So, without further ado, welcome to the new, improved blog - "The Shit I Know".

Why the change in title? I'll tell you all about that in my next post........



Photo courtesy of Vivian Bedoya

Wednesday, 7 March 2012

Don't be a Pirate's Wench

Back when you could tell who the real pirates were by their uniforms

I went to Target the other day to buy some new balls for my dogs. As I walked out of the store, a thought occurred to me. I’d just paid five bucks for two small pieces of round rubber that my dogs would more than likely kill by the end of the week. Granted, they did have smiley faces on them, and they were “high bounce” ones, which they love, but still.

That same five dollars could have bought me lunch at one of the many fast-food places in the shopping centre.

It could have bought me two chocolates from the charity box at work, with the added bonus of going to a good cause.

That lazy five bucks could also have bought me five books for my kindle, with a couple of cents change.

Why am I telling you this? Because everything has a value, and value is in the eye of the buyer.

When I want to buy something, I research it. I price-check and compare. If I don’t think it’s worth whatever the asking price is, I don’t buy it. Simple as that really.

Why is digital content any different?

It seems no matter who you talk to, they’ve either downloaded content illegally, or know someone who has. Most times, they often don’t see what the problem is. They might feel a bit “naughty” about it, but that’s it.

Arguments range from “the musicians are rich enough as it is, they’re not missing any money”, to “I wouldn’t have bought it anyway”. Or “I’ve discovered lots of bands/authors by downloading pirated versions of their work, and downloaded the rest of their stuff legally.”

These are excuses. They’re borne from having very little or no connection with the people they hurt. Let’s forget about mega-famous artists like Pink, or Madonna, or Bon Jovi. Let’s also forget about big-name authors like Stephen King, Stephanie Myer and JK Rowling. And let’s forget about Hollywood, Brad Pitt and Steven Spielberg.

Let’s forget about all those famous names for a moment, and think about people like me. Writers whose sole ambition is to publish books for people to read and enjoy. Writers, artists and musicians who work hard for years, even decades, to make enough money to quit their day jobs and work on their passions full-time.

(FYI - only a very minute percentage get to do that)
 
How would they ever be able to contemplate that if people like you don’t see enough value in their hard work to pay 99c for an e-book, $1.69 for a song, or $10 for a movie?

Look, I buy books from the bargain table all the time. I’ve also downloaded a number of free books on the kindle from authors I wouldn’t have discovered otherwise. I get the “value to entertainment ratio”, because on top of being a writer, I’m also a consumer.

The thing is, when you download a pirated version, you take the power away from the creator of that music, book or movie to offer it for free in the first place. It’s rare these days for those of us starting out to not offer something for free. It’s a great marketing ploy. But it’s within our own control to do it.

It’s also well within our rights as artists to expect something in return for our efforts.

You know me. You know what this writing gig means to me. You know how hard I work to make this my full time career. Would you have me working for nothing? Would you have me effectively waste all those years, slogging away at a keyboard, trying to learn my craft in order to produce something I think someone might want to read and enjoy?

Do you value me, and my work, so little that you would choose pirated over paying me a small amount of money in appreciation for my efforts at entertaining you?

All those big names I mentioned earlier? They all started in complete obscurity, working hard until they got that one role, produced that one song, or wrote that one book, that broke them away from the millions of others they were competing against. The money, fame and accolades are fair pay for all their struggles to get to where they are.

There’s no such thing as an over night sensation, but it’s what most of us are working our arses off to achieve.

And those little yellow bouncy balls? They’re still going strong - for now - and they’re giving me, and my dogs, a lot more value than a cheeseburger or a couple of chocolates would have.


Photo by ~Sincere Stock~

Wednesday, 1 February 2012

Pick a Label, Any Label - Labelling Our Books

There's a big discussion going on over at Rachelle Gardner's blog at the moment (one of the many I currently cyber-stalk but have yet to post comment on), and it's something I have started to think about since re-working my long-term writing plan.

One of the things I have learned about self-publishing from various sources is to make sure I know my audience. It's one of the big reasons I want to re-jig my blog so that I start tailoring posts to my readers. Yeh, I'm still struggling with the concept that it's not all about me, but I'm getting there.

The post poses the question "Should We Label Christian Fiction?" and the comments section has been abuzz with arguments both for and against.

It's come about because (apparently) a few reviewers and readers have posted 1-star ratings and some not-so-nice reviews on christian books because they feel duped. For whatever reason, they didn't get the book they thought they paid for, and/or the fact that it wasn't clear from the blurb that there were christian themes.

I don't like seeing reviews like that, and I think there should be an option to give a review without a star-rating if you read a book that disappoints because of content rather than ability.

Anyway, a few comments on the post took me by surprise. A few commentors are of the opinion that it's almost an attack on their christianity if they should have to label their work as such, and they feel they'd miss out on sales, or that people would miss out on reading those books because of a label.

I tend to disagree. I'll tell you why.

I write lesbian fiction. I also write young adult fiction, some of which has, and will have, lesbian/gay themes, while others will not. I fully intend on labelling my books as lesbian, if that's what they are.

Why?

Because I want to reach the right readers. I don't want to get 1-star reviews for my work simply because a reader doesn't like the fact that my main characters are lesbian and it offends their morals or sensibilities, and I neglected to warn them in the first place. Those readers are not part of my audience.

Some writers (and I was one of them until I was shown the light) mistakenly believe that we need to get our work to the masses; to get as many people reading our prose as possible. While this is a noble dream, it's not reality.

Sure, some books will transcend genre, but I think that will only happen if the book has universal themes and only after it finds its true niche in the first place.

I think the most interesting question though is where the line is drawn. When should we consider labelling a book such as christian fiction?

I think the line is quite an easy one. If you're a christian writer, coming from a christian view-point, but the main theme of your book isn't based around faith (ie your main character has a strong faith but the overriding theme of the book is, for example, finding love that is NOT based on finding God), or you have other universal themes that resonate with readers, then it's not christian. In other words, if you stripped away the christian aspect of a character, would it make a huge difference to the way the book works?

I've read books like that, and I haven't felt duped at all. Why? Because the character had other traits that I found fascinating or could relate to.

However, if your main theme is based on faith - having it, losing it, keeping it, finding it - and without that theme your book would be a shadow of itself, then it's christian.

People like me who read books like that sometimes feel like we're being hit over the head with faith, and that annoys me. You shouldn't be worried about that because I'm not your audience. I'm not going to buy more of your books because I know I won't like them.

And there's the rub. Not everyone's going to like your book. That's not necessarily an indictment on your ability as an author, it just means that you need to work out where your book sits on the virtual bookshelf.

Give readers good information about your books, and they'll decide for themselves if they want to buy them or not. They'll thank you for it with great reviews.

Afterall, isn't it better to label your books effectively in order to find the people who will like your work, rather than take a risk on people who won't?